Vito Acconci Movies

A ten minute super-8mm work from 1970 by Vito Acconci.

In Face of the Earth, Acconci's face becomes a metaphorical theater for a narrative drama of the mythic American landscape. Eyes closed, his face...

The screen is empty: the artist stands off-screen — he breathes in and out, his stomach moving into and out of the frame.

In these three exercises, Acconci plays with trans-gender illusions, manipulating and altering his own body parts to suggest sexual transformations.

Acconci oftens performs controlled actions as if he had entered into a contractual agreement to test his physical limitations. In Grass/Mouth,...

Three-part short film. In 'Blindfold Catching', a blindfolded Acconci reacts, flinching and lunging, as rubber balls are repeatedly thrown at him...

"Recording Studio From Air Time is a personal confessional in which video is both a mirror and a mediating device. Alone in an "isolation chamber" in...

The two-channel piece Remote Control is an exercise in manipulation and control between artist and subject, male and female. On separate channels,...

“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he...

In this feature-length silent film, Acconci uses hand-written title cards to present an "interior monologue" about speaking, language, and silence....

The back of Acconci's head is seen in tight close-up. He hums to himself, first lyrically, then aggressively, violently. Suddenly he wheels around to...

"You’re Going to Die!" is a children’s story exploring one simple idea ad nauseum bonum. This video treatment by Dennis Palazzolo adapts...

Standing alone among beach dunes, Acconci begins to kick at the sand below him. Over the course of the film's ten minutes, this repeated action...

"I walk in a circle around the camera: sometimes I'm on screen, sometimes I'm off, sometimes I change direction, leaving the screen on one side and...

Super-8mm footage documenting the gallery set-up for Acconci's exhibition AIR-TIME at Sonnabend Gallery in 1973.

In this powerful "meta-document," Acconci sits in the dark with his back to a screen, onto which are projected slides of his past works, in...

In Two Track, Acconci experiments with direct and peripheral perception of information in the context of communication and interaction. He sits with...

Torn over the pressure to perform for his audience, Acconci fantasizes about "a dancing bear" who takes his place, performing in the spotlight, doing...

Acconci lies naked on a gurney-like table, rocking back and forth as a tape-loop of his voice describes his anxieties about exposing his body and his...

The final installment of the Conversions trilogy.